Where Exactly You Feel Appendicitis Pain?

of armed resistance.




Realistic and markedly sub-realist
is at the same time the work of Inti
Maleywa, guerrilla
Caballero Martin Block, in the sense that while expressing
the harshness of social conflict that some have
Colombia on behalf of imperialism and its local lackeys
, when listening in
representation
traces we find strong, very strong color, strongly marked and mixed
without hesitation ... that
overflow in creativity and subjectivity
dance that puts the imagination, making fish
leaf, root faces, dances
forests, rivers of hair ...
reality of magic and wonder without riddles and ambiguities.
sometimes transported to the lively and blue contrasts
Cacaxtla, showing
also seems to me the importance
attention of human beings, but not in the sense
to show dissatisfaction with the mere existence but
earthly existence operating conditions and imperancia
terror of
operators. The significance would be, well,
to a stage of liberation. And it's worthwhile to say, all mixed

also predominantly with allegories that emphasize the love of the land,
the forest, water, wind,
life in freedom and decency.
Landscape, nature, history, battle, fantasy,
allegory, symbol, drama ...
synthesis of this and more in a free practice
line and color, with a language that expresses the collective sense
and duty of
commitment to revolutionary change, is
which shows the work of Inti.
Indeed, and I believe with certainty, Inti
strokes drawn and colored with the dye
supportive and loving, courageous and spirited fariana
the guerrillas, from the deeper reflection
enclosing the same revolutionary beliefs
to the transparent glass guerrilla Inti
everyday lives intensely, and
provide guard service, cooking
for their comrades, grooming
his rifle, studying policy documents,
organizing farmers
areas where team up with his shoulder
war, carrying their fight as things
their cards and magic crayons. Inti
format limits the production of paper or cardboard
not exceed the size of one meter by one meter
. And though perfectly
usually drawn with any branch of a tree,
a vast landscape on the beach of a river, or any expanse of land
, mobility implies
guerrilla life carry you from
easels and materials to larger sizes
which now uses in its work.
but also handles various techniques waiver
many of the procedures and textures
wanted, because in practice, the pencils are more portable artillery
that it may take
with their ammunition and personal belongings.
Certainly in his case more than any other,
the environment and the vicissitudes of war, condition
much of their work style.
But at the same time, social
great sensitivity and her condition
revolutionaries and their comrades, marks the main focus of the theme that develops
without charges
chained to Western or Renaissance perspective. Free

stipends and fully committed to their cause, the greater glorification
is to fight for others.
service is only the people who are dedicated his work
full freedom of choice in its concepts widely
full of originality.
No one from the jungle as a guerrilla, was shown with the plastic
among Homeland
flashing big dream for the Liberator, the reality of Colombia
deep
resistance against imperial oppression.


(Extract from an article published on page www.resistencia-
colombia.org)

Santrich
Jesus, member of Central
Staff of the FARC-EP.